My first time out painting plein air {French for “in the open air”} is a challenge I’m getting hooked on.
To begin with, inspiration is unlimited and ever changing. A white sky turns blue turns gray gets dark and then pours on me.
One minute Plein-Air-AM-Radio gives me some nice easy breezy blues to move my brush to —
The next minute I’m back in the cicada asylum.
And the hues.
Well, they’re —
Fifty shades of green.
Yesterday I squeezed the green so much I woke to a green hangover. I swore it off completely today. Hid the green tubes from myself, and moved my painting camp out closer to the old dairy barn.
There I painted windows with blue and violets; greys and black browns and was quite content all morning.
A few minutes after noon, I was seeing green everywhere I looked and —
I gave into the countryside and jumped off the wagon.
A little bit of mucky water and some dry crusty greenish dust from yesterday’s palette and —
Voilà! —
Green booze from on high!
Farm light 2012.4 “corn, no cows,” as a result, is slighty tipsy — and looking at it, I feel —
Just right.